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While it is true that everyone knows a different Munari, Aldo Tanchis’s essay sets out to outline the poetics underlying the entire activity of Bruno Munari, a unique and multifaceted character, bringing together the three classic distinctions of “Munari-artist,” “Munari-designer” and “Munari-pedagogist”. Aldo Tanchis thus presents in these pages Munari’s “world,” a system always in dynamic balance between pairs of opposites and complementaries.
